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cass, 21, living with hysteria. hello

all girls should have a poem
written for them even if
we have to turn this god-damn world
upside down to do it
--richard brautigan

LADY BANDS: for people who like their music with vaginas in it

email + @tarts + last.fm

radio silence? try my travelogue.

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omg. (via jpgmag)

omg. (via jpgmag)

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Tags: books

Tuesday, August 18th 2009 8:35pm
Errata slips found in secondhand books [via Meanjin]

Errata slips found in secondhand books [via Meanjin]

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Tags: books

Sunday, August 16th 2009 1:58am

Stanley & Marvin: They Hadn’t Seen Each Other in a While’
Victor & Susie: He Came in the Vegetable Box’

Children’s books are illustrated with typographical symbols! How much do I love this concept? A lot. Says the author:

‘the main idea was to stress the images and text equally, and play with the fact that they’re both made out of the same ‘ingredients’, which are simply arranged and subsequently read differently. Children’s books often treat text and images like they belong to altogether different worlds and we wanted to avoid that.’

From Creative Review (+1) via Meanjin

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Tags: books

Wednesday, August 12th 2009 4:18am

altered books (via redballoon)

altered books (via redballoon)

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Reblogged from red-balloon.
Tags: poetry books

Monday, August 10th 2009 11:21pm

dis.grace is a digital project that re-appropriates JM Coetzee’s novel, Disgrace (1999) in order to explore the failure of language to maintain its authority in the postcolony. The project translates the full text of Coetzee’s novel into images using the Google Search Engine’s “Image Search” functionality. It matches each word in the book with its equivalent No.1 Google search image* to create a new book, a visual text rewritten through the eyes of a global digital popular culture. It combines chance, play, bad taste, incomprehension, artifice, and a lack of truth to up-end the “disgraced” Western literary parameters of “white male writing” considering its history of ideologically (and sexual) objectification and predation. It shuns the authority of the author and the omniscient narrator used in the Western novel as the equivalent to the intruding phallocentric colonizer while at the same time it questioning the amnesia and historical self-invention of post-apartheid consumer society.
*Google images search rates pages according to popularity thus creating a seemingly “democratic voice”, based on the consensus of the majority of internet users. (via igather, kagablog » dis.grace by françois naudé & stacy hardy)

dis.grace is a digital project that re-appropriates JM Coetzee’s novel, Disgrace (1999) in order to explore the failure of language to maintain its authority in the postcolony. The project translates the full text of Coetzee’s novel into images using the Google Search Engine’s “Image Search” functionality. It matches each word in the book with its equivalent No.1 Google search image* to create a new book, a visual text rewritten through the eyes of a global digital popular culture. It combines chance, play, bad taste, incomprehension, artifice, and a lack of truth to up-end the “disgraced” Western literary parameters of “white male writing” considering its history of ideologically (and sexual) objectification and predation. It shuns the authority of the author and the omniscient narrator used in the Western novel as the equivalent to the intruding phallocentric colonizer while at the same time it questioning the amnesia and historical self-invention of post-apartheid consumer society.

*Google images search rates pages according to popularity thus creating a seemingly “democratic voice”, based on the consensus of the majority of internet users. (via igather, kagablog » dis.grace by françois naudé & stacy hardy)

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Reblogged from You don't know me ay?.
Tags: books

Wednesday, July 22nd 2009 2:56am

I wish I’d read Norweigan Wood a year ago when I needed it most, rather than at the tail end of a deeply frustrating period of personal growth.

If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That’s the world of hicks and slobs. Real people would be ashamed of themselves doing that.
The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you’re that age, it will cause you pain when you’re older.
‘You know what girls are like,’ he said. ‘They turn twenty or twenty-one and all of a sudden they start having these concrete ideas. They get super realistic. And when that happens, everything that seemed to sweet and lovable about them begins to look ordinary and depressing.’

Sure they sound trite when taken out of context, but it would have been good to have something to cling to when stewing in the emotional pits of late adolescence. The last quote is particularly apt, especially if you add to the realistic line ‘also bad-tempered and deeply anti-social’. This isn’t to say, as my 21st birthday creeps over the horizon, that I’ve totally pulled myself together and things will be super dandy from now onwards (oh it’s not) but at least I’m not so foggy-headed about Life and Everything In It. etc.

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Tags: books

Tuesday, June 30th 2009 11:10pm
gilliansees:
“Ten Questions with Gillian Sze” is up now.
I like this lady, and her new book of poetry, and the way she inspires me to approach life a little more thoughtfully. Read the interview here.

gilliansees:

“Ten Questions with Gillian Sze” is up now.

I like this lady, and her new book of poetry, and the way she inspires me to approach life a little more thoughtfully. Read the interview here.

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Reblogged from camera play.
Tags: books

Wednesday, June 24th 2009 10:24pm

On burning envy and "I could have written that"

Bennett Madison says something I feel resonates amongst many of us:

The worst and most ironic part is that the closer a book feels to your (my) soul, the more you (I) can’t totally enjoy it.  Peter Cameron’s SOMEDAY THIS PAIN WILL BE USEFUL TO YOU is probably one of the funniest and most moving books I read all last year, but the narrator reminded me so much of myself when I was in high school that I had to get up every few pages and fume over the fact that someone else had written the book that I was meant to write— and worst of all, had done it better than I probably could have.  If I had read the book ten years ago, none of this would have occured to me; I would have just really liked it.  OH LOST INNOCENCE.

What it ultimately means is that I can basically only read things that are either really shitty or things on topics that I don’t care about at all.  Things published before the death of Kurt Cobain/birth of Lourdes Ciccone are usually okay too because somehow that just feels like a whole different category.  As for everything else I have a hard time. 

You would think that this would take the fun out of everything AND IN SOME WAYS IT IS THE SADDEST THING IN THE WORLD, but the flip side is that it does make it much more pleasurable to read stuff that sucks.  Terrible literature makes me feel so great inside.  Airport bookstores are now my favorite.  Happy ending!

Oh I don’t think you’re supposed to take that as a recommendation to throw your highbrow literature out the window and stew in the morass of pulp fiction. But awful (and published!) books might spur you into writing something decent — or so I like to tell myself.

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Tags: writing books

Sunday, June 21st 2009 11:47pm

"You get a little moody sometimes but I think that’s because you like to read. People that like to read are always a little fucked up."

- Pat Conroy (via bmckdghjlnpf) (via starsnatcher) (via oneshouldreadeverything) (via meetinginthedark) (via capel) (via longlivethequeen) (via embracingsophia) (via thoughtsonasunday) (via flotsmzxz) (via winterlief) (via mhight)

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Reblogged from meredith hight.
Tags: books

Friday, April 10th 2009 10:55pm
(via mollylambert)

(via mollylambert)

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Reblogged from Molly Lambert.
Tags: writing books

Thursday, April 9th 2009 7:24pm
I’ve had a torrid affair with In the Skin of a Lion for forever, it’s the only book that’s so completely perfect that whenever I conduct another re-read session I have to shove my head under a pillow and scream at regular intervals i.e. every time I turn the page.
Tumblrkids tend to prefer pimping out books that lend themselves to life-affirming aphorisms, which Skin doesn’t deliver on, which I expect is the reason why I seem to be the only one who loves this novel. Halfway through this sentence crops up, which perfectly describes Ondaatje’s storytelling approach:

The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.

Forget The English Patient, it’s the sequel to this book anyway, I can’t recommend this enough.

I’ve had a torrid affair with In the Skin of a Lion for forever, it’s the only book that’s so completely perfect that whenever I conduct another re-read session I have to shove my head under a pillow and scream at regular intervals i.e. every time I turn the page.

Tumblrkids tend to prefer pimping out books that lend themselves to life-affirming aphorisms, which Skin doesn’t deliver on, which I expect is the reason why I seem to be the only one who loves this novel. Halfway through this sentence crops up, which perfectly describes Ondaatje’s storytelling approach:

The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.

Forget The English Patient, it’s the sequel to this book anyway, I can’t recommend this enough.

Comments (View) | 4 notes
Tags: books

Thursday, February 19th 2009 1:13am